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It also represents a milestone for Hugh Jackman, who has now played Wolverine (a.k.a. Logan) a whopping six times - a record for an actor to play the same comic book-based character. Of course, that includes his awesome two-word cameo in 2011's reboot "X-Men: First Class," but his devotion to the fan favorite that made him a star is impressive, as he's already set to wield his adamantium claws for the seventh time in next year's "X-Men: Days of Future Past." Talk about an actor owning his character.Watch The Wolverine Full Megashare



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Improbably sitting at the helm of this solid action distraction is James Mangold, a Hollywood hireling whose prior forays into genre cinema—the Tom Cruise vehicle Knight And Day, the toothless remake of 3:10 To Yuma—scarcely suggested a gift for splash-panel spectacle. Yet the setpieces, including an astounding skirmish atop a speeding bullet train, possess a kinetic grace largely absent from this season’s other big-budget offerings. Mangold brings style but not substance, which isn’t so fatal for a late-summer pulp blockbuster, though the director oversold—in pre-release interviews—the supposed influence of his cinematic heroes. (There are few traces of Tokyo Story in this Tokyo story.) Truly great comic-book adaptations require a visionary’s touch; one can only imagine what an auteur like Darren Aronofsky, who was originally attached to direct, would have done with the material. But it would be foolish to undervalue a superhero film that feels so untethered, so free of the duties of franchise-building. Blessedly, The Wolverine is not a preview for next summer’s X-Men movie—that is, of course, until the obligatory preview for next summer’s X-Men movie. These days, being completely self-contained is a luxury comic-book movies rarely possess.Watch The Wolverine Full Movie Megavideo



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It also represents a milestone for Hugh Jackman, who has now played Wolverine (a.k.a. Logan) a whopping six times - a record for an actor to play the same comic book-based character. Of course, that includes his awesome two-word cameo in 2011's reboot "X-Men: First Class," but his devotion to the fan favorite that made him a star is impressive, as he's already set to wield his adamantium claws for the seventh time in next year's "X-Men: Days of Future Past." Talk about an actor owning his character.Watch The Wolverine Full Megashare



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Improbably sitting at the helm of this solid action distraction is James Mangold, a Hollywood hireling whose prior forays into genre cinema—the Tom Cruise vehicle Knight And Day, the toothless remake of 3:10 To Yuma—scarcely suggested a gift for splash-panel spectacle. Yet the setpieces, including an astounding skirmish atop a speeding bullet train, possess a kinetic grace largely absent from this season’s other big-budget offerings. Mangold brings style but not substance, which isn’t so fatal for a late-summer pulp blockbuster, though the director oversold—in pre-release interviews—the supposed influence of his cinematic heroes. (There are few traces of Tokyo Story in this Tokyo story.) Truly great comic-book adaptations require a visionary’s touch; one can only imagine what an auteur like Darren Aronofsky, who was originally attached to direct, would have done with the material. But it would be foolish to undervalue a superhero film that feels so untethered, so free of the duties of franchise-building. Blessedly, The Wolverine is not a preview for next summer’s X-Men movie—that is, of course, until the obligatory preview for next summer’s X-Men movie. These days, being completely self-contained is a luxury comic-book movies rarely possess.Watch The Wolverine Full Movie Megavideo



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It also represents a milestone for Hugh Jackman, who has now played Wolverine (a.k.a. Logan) a whopping six times - a record for an actor to play the same comic book-based character. Of course, that includes his awesome two-word cameo in 2011's reboot "X-Men: First Class," but his devotion to the fan favorite that made him a star is impressive, as he's already set to wield his adamantium claws for the seventh time in next year's "X-Men: Days of Future Past." Talk about an actor owning his character.Watch The Wolverine Full Megashare



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Improbably sitting at the helm of this solid action distraction is James Mangold, a Hollywood hireling whose prior forays into genre cinema—the Tom Cruise vehicle Knight And Day, the toothless remake of 3:10 To Yuma—scarcely suggested a gift for splash-panel spectacle. Yet the setpieces, including an astounding skirmish atop a speeding bullet train, possess a kinetic grace largely absent from this season’s other big-budget offerings. Mangold brings style but not substance, which isn’t so fatal for a late-summer pulp blockbuster, though the director oversold—in pre-release interviews—the supposed influence of his cinematic heroes. (There are few traces of Tokyo Story in this Tokyo story.) Truly great comic-book adaptations require a visionary’s touch; one can only imagine what an auteur like Darren Aronofsky, who was originally attached to direct, would have done with the material. But it would be foolish to undervalue a superhero film that feels so untethered, so free of the duties of franchise-building. Blessedly, The Wolverine is not a preview for next summer’s X-Men movie—that is, of course, until the obligatory preview for next summer’s X-Men movie. These days, being completely self-contained is a luxury comic-book movies rarely possess.Watch The Wolverine Full Movie Megavideo



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